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NEW PLACEMENT - "SAT.1 TV NETWORKS"
18th March 2020
18th March 2020
Music used on the TV networks SAT.1
NEW PLACEMENT - "UNIVISION TV NETWORK"
10th March 2020
10th March 2020
Music used on the US TV network UNIVISION
NEW PLACEMENT - "RTL ZWEI TV NETWORK"
4th March 2020
4th March 2020
Music used on German TV network RTL ZWEI
NEW PLACEMENT - "RTL 5 TV NETWORK"
28th February 2020
28th February 2020
My trailer track Hypervortex was used on the RTL 5 TV network in the Netherlands
NEW PLACEMENT - "MDR TV NETWORK"
5th February 2020
5th February 2020
Happy to have my music featured in a show on the German TV network MDR
NEW PLACEMENT - "CHANNEL 4 TV NETWORK"
24th January 2020
24th January 2020
Happy to have my music featured in a TV show on the UK's Channel 4 TV network
2019: A YEAR REVIEW
29th December 2019
29th December 2019
Where do I even begin? This year has offered me so much, from new opportunities to memories that I will cherish for many years to come. But let’s start at the beginning - 2019 started with letting go of a bad professional relationship with a publisher that went back on their word and didn’t respect the deal we’ve set. As a result, there is still a lot of music I have with them that is still up in the air regarding licensing rights and artist shares. Lesson learned, so never, ever go into a deal without written agreement or terms agreed in writing beforehand.
The trailer music releases continued as per usual schedule in January with the release of the “Clockers” album, to which I contributed a few tracks, released by Frontier Trailer Music and distributed by 5Alarm. In early February, I have signed with a new label from Germany, which I’m now writing quite a lot of music for, as they work with the regional customers in Germany a lot, and are a fantastic partner to work with. So happy to be with a publisher where everything is super clear, workflows are established and return on investment is great! Looking very much forward to more work with them in the future. After a few months of work on various albums for this new publisher and a few smaller projects for other labels, I’ve received confirmation of my music being used in a web series for the first time, via one of my US publishers, Score a Score. Thank you so much for pitching my music! Looking forward to giving them more music in the future.
As the summer came closer, it was almost time to leave for my first ever trip to the US. But before that happened, I was lucky enough to be recommended by one of my composer friends to a very respectable publisher in Los Angeles, Ghostwriter Music. We’ve decided to work on a holiday release together under their label Astral Music Publishing, so that happened after I got back from my summer holidays.
The highlight of 2019 was my friend and I’s trip the US, visiting Los Angeles, but also going out to Las Vegas and Grand Canyon for a week. During this time in LA, I was able to meet many friends, many of which I’ve only known online beforehand, but the highlights of the trips were a visit to the 20th Century Fox studio lot, where I sat next to the orchestra as they recorded orchestral sections of the new The Who album, “WHO”, at the legendary Newman Scoring Stage. It was a real privilege and a once in a lifetime experience to be part of such a legendary band’s project. The very next day I also got to visit the Universal Studios studio lot and meet some great people there as well, and see where the magic happens - what a place! Here’s to all my friend in the US and I’m hoping to be back soon! After the return, it was time to start working on the holiday orchestral album. With the deadline set in mid October, there was enough time to get it out in a few months, so while I worked intensely on that album, I also had to write a number of tracks for other publishers and some smaller pitches and helping out some friends with their projects. Once the album was finished, I was asked to do a few trailer versions for a few tracks as well, so we delivered those as well, to give Ghostwriter a chance to pitch those as well. It was a bit late to pitch for industry as most projects had already been cut for the season at that time (November), but the album was still released for the industry, as well as for the general public, but with 3 tracks being trailer versions rather than the orchestral ones on the public release. I very much enjoy writing this kind of music and every second of working on this album was a pleasure and an opportunity to push myself a bit further. After this release, called “The Night Before”, was finished, I also did a few orchestral documentary pieces for a winter release for my German publisher. In total, I have written 55 tracks for the industry in 2019, which lines up perfectly with my yearly goal of approximately 1 track a week (as I don’t compose full time), so very happy with the amount and quality of tracks that were done this year. Very high acceptance rate (almost 100%) confirms that the publishers seem to value this music suits the needs of the industry as well. My sole goal of writing remains the same - that every track I write, to be my best work to date. Right after these were finished, I received an email to join and contribute to another trailer music publisher, Jolt Trailer Music. So I wrote and contributed my track “Hypervortex” to their hybrid orchestral album “Ruination”, which is now available to the industry via BMG Production Music.
It was at this time in late November and early December that I started noticing that there were some terrestrial TV placements that started showing up in my TuneSat account. Needless to say that it was (and still is) a very exciting moment to see that after year and a half of writing for the industry, the placements had started coming in! I take this as a confirmation that my music has value not to just listeners, but also to the clients, and I am happy to be seeing results and am very much looking forward to what the new year brings.
Thank you for being amazing 2019, and here’s to a very happy new year 2020!
The trailer music releases continued as per usual schedule in January with the release of the “Clockers” album, to which I contributed a few tracks, released by Frontier Trailer Music and distributed by 5Alarm. In early February, I have signed with a new label from Germany, which I’m now writing quite a lot of music for, as they work with the regional customers in Germany a lot, and are a fantastic partner to work with. So happy to be with a publisher where everything is super clear, workflows are established and return on investment is great! Looking very much forward to more work with them in the future. After a few months of work on various albums for this new publisher and a few smaller projects for other labels, I’ve received confirmation of my music being used in a web series for the first time, via one of my US publishers, Score a Score. Thank you so much for pitching my music! Looking forward to giving them more music in the future.
As the summer came closer, it was almost time to leave for my first ever trip to the US. But before that happened, I was lucky enough to be recommended by one of my composer friends to a very respectable publisher in Los Angeles, Ghostwriter Music. We’ve decided to work on a holiday release together under their label Astral Music Publishing, so that happened after I got back from my summer holidays.
The highlight of 2019 was my friend and I’s trip the US, visiting Los Angeles, but also going out to Las Vegas and Grand Canyon for a week. During this time in LA, I was able to meet many friends, many of which I’ve only known online beforehand, but the highlights of the trips were a visit to the 20th Century Fox studio lot, where I sat next to the orchestra as they recorded orchestral sections of the new The Who album, “WHO”, at the legendary Newman Scoring Stage. It was a real privilege and a once in a lifetime experience to be part of such a legendary band’s project. The very next day I also got to visit the Universal Studios studio lot and meet some great people there as well, and see where the magic happens - what a place! Here’s to all my friend in the US and I’m hoping to be back soon! After the return, it was time to start working on the holiday orchestral album. With the deadline set in mid October, there was enough time to get it out in a few months, so while I worked intensely on that album, I also had to write a number of tracks for other publishers and some smaller pitches and helping out some friends with their projects. Once the album was finished, I was asked to do a few trailer versions for a few tracks as well, so we delivered those as well, to give Ghostwriter a chance to pitch those as well. It was a bit late to pitch for industry as most projects had already been cut for the season at that time (November), but the album was still released for the industry, as well as for the general public, but with 3 tracks being trailer versions rather than the orchestral ones on the public release. I very much enjoy writing this kind of music and every second of working on this album was a pleasure and an opportunity to push myself a bit further. After this release, called “The Night Before”, was finished, I also did a few orchestral documentary pieces for a winter release for my German publisher. In total, I have written 55 tracks for the industry in 2019, which lines up perfectly with my yearly goal of approximately 1 track a week (as I don’t compose full time), so very happy with the amount and quality of tracks that were done this year. Very high acceptance rate (almost 100%) confirms that the publishers seem to value this music suits the needs of the industry as well. My sole goal of writing remains the same - that every track I write, to be my best work to date. Right after these were finished, I received an email to join and contribute to another trailer music publisher, Jolt Trailer Music. So I wrote and contributed my track “Hypervortex” to their hybrid orchestral album “Ruination”, which is now available to the industry via BMG Production Music.
It was at this time in late November and early December that I started noticing that there were some terrestrial TV placements that started showing up in my TuneSat account. Needless to say that it was (and still is) a very exciting moment to see that after year and a half of writing for the industry, the placements had started coming in! I take this as a confirmation that my music has value not to just listeners, but also to the clients, and I am happy to be seeing results and am very much looking forward to what the new year brings.
Thank you for being amazing 2019, and here’s to a very happy new year 2020!
NEW PLACEMENT - "ZDF TV NETWORK"
27th December 2019
27th December 2019
Happy to have my music featured in a TV show on the German TV network ZDF
ALBUM RELEASE: "RUINATION" ON JOLT TRAILER MUSIC
23rd December 2019
You can hear my track “Hypervortex” on the new Jolt Trailer Music hybrid orchestral album “Ruination”. Available for licensing via BMG Production Music.
23rd December 2019
You can hear my track “Hypervortex” on the new Jolt Trailer Music hybrid orchestral album “Ruination”. Available for licensing via BMG Production Music.
NOW COMPOSING FOR JOLT TRAILER MUSIC
6th December 2019
6th December 2019
Excited to announce I’ve joined Jolt Trailer Music as a composer - looking forward to contributing to the releases!
NEW PLACEMENT - "TV SHOW SNAPPED ON OXYGEN NETWORK"
4th December 2019
4th December 2019
Happy to have my music featured in the TV show "Snapped" on the US TV network Oxygen
NEW VIDEO - ADAM AUDIO T7V REVIEW
26th November 2019
26th November 2019
Recently, ADAM Audio sent me a pair of T7V studio monitors. In this video, I tested them and reviewed them for Global Composers Network.
NEW PLACEMENT - "VOX TV NETWORK"
24th November 2019
24th November 2019
Happy to have my music featured in a TV show on the German TV network VOX
FIRST SOLO ALBUM “THE NIGHT BEFORE” NOW AVAILABLE
19th November 2019
19th November 2019
I am thrilled to announce that my first solo album “The Night Before”, a holiday orchestral release, is now available on all major platforms and for the industry! Check it out below, hope you enjoy it! With biggest thanks to Timothy William for making it sound amazing as always, and to Ghostwriter Music / Astral Music Publishing for publishing it out into the world and into the hands of clients. For licensing inquiries, please contact austin@astralmusicpublishing.com
Now available on all major platforms via the link below:
https://ampl.ink/W4lYG
Now available on all major platforms via the link below:
https://ampl.ink/W4lYG
NEW BLOG POST - US JULY 2019 REPORT
17th August 2019
17th August 2019
Finally got around to write a blog post and add some pics from the July visit to LA (and some other places), hope you enjoy it!
https://www.jurejerebic.com/blog/usa-july-2019-report
https://www.jurejerebic.com/blog/usa-july-2019-report
NOW COMPOSING FOR GHOSTWRITER / ASTRAL MUSIC PUBLISHING
9th July 2019
I have joined Ghostwriter Music / Astral Music Publishing as a composer. I’m very grateful to be joining such an incredible group of composers and am looking forward to making music with these talented people.
9th July 2019
I have joined Ghostwriter Music / Astral Music Publishing as a composer. I’m very grateful to be joining such an incredible group of composers and am looking forward to making music with these talented people.
NEW PLACEMENT - "TRADE SHOW SHOW"
20th June 2019
My music was used in the new web series “Trade Show Show”. Thank you Score a Score!
20th June 2019
My music was used in the new web series “Trade Show Show”. Thank you Score a Score!
SAMPLE LIBRARY REVIEW - ERIC WHITACRE CHOIR BY SPITFIRE AUDIO
14th June 2019
I have done a review of the Eric Whitacre Choir from Spitfire Audio for Global Composers Network. Check it out below, as well as the two links to the track I’ve written for this review. This choir sample library is perfect for realistic choral writing, adding choral textures to your compositions, vocal effects and more.
14th June 2019
I have done a review of the Eric Whitacre Choir from Spitfire Audio for Global Composers Network. Check it out below, as well as the two links to the track I’ve written for this review. This choir sample library is perfect for realistic choral writing, adding choral textures to your compositions, vocal effects and more.
MODULAR STUDIES - NEW YOUTUBE SERIES
25th April 2019
One of the “pitfalls” of modular synthesis is the availability and diversification of available modules that exist for all different intents and purposes. The other important factor in modular synthesis is that there are modules that are incredibly deep and powerful, but quite often users don’t take the time and/or effort to really explore the modules and their capabilities.
For this reason, I decided to build a very small portable study system. This way, I am able to only use maximum of four modules at any point, and maximise the potential that lies within those modules. 48hp of width and 50mm of depth. The other reason being I can now finally use my modular in a comfortable fashion on a couch or even in bed.
To build it, I was very eager to see that 4ms has updated their Pod line of cases, which now includes deeper options, that allow modules of maximum 50mm of depth, which I need, so I went ahead and purchased the 4ms 40X Pod, powered version, as I didn’t want to take the power supply out of my main systems.
25th April 2019
One of the “pitfalls” of modular synthesis is the availability and diversification of available modules that exist for all different intents and purposes. The other important factor in modular synthesis is that there are modules that are incredibly deep and powerful, but quite often users don’t take the time and/or effort to really explore the modules and their capabilities.
For this reason, I decided to build a very small portable study system. This way, I am able to only use maximum of four modules at any point, and maximise the potential that lies within those modules. 48hp of width and 50mm of depth. The other reason being I can now finally use my modular in a comfortable fashion on a couch or even in bed.
To build it, I was very eager to see that 4ms has updated their Pod line of cases, which now includes deeper options, that allow modules of maximum 50mm of depth, which I need, so I went ahead and purchased the 4ms 40X Pod, powered version, as I didn’t want to take the power supply out of my main systems.
As I recently acquired the ER-301 Sound Computer module, probably the most powerful module in eurorack, I really want to explore its capabilities in depth, along with other modules I already had, such as uO&C (micro version of the Ornament & Crime), or Expert Sleepers Disting MK4. So I added these two, as well as a MIDI interface module, which allows me to control this little system either from my DAW or from the iPad.
As a result, I will start a new YouTube playlist called “Modular Studies”, where I will study very focused functions within modules from my main studio system, maximum 4 modules at a time. The playlist is linked below with the first video, so if you enjoy it, please subscribe to my YouTube channel and share with a fellow modular user.
ALBUM RELEASE: "CLOCKERS" ON FRONTIER TRAILER MUSIC
1st February 2019
You can hear my tracks “Pendulum”, “Time to Run” and “Evacuation Imminent” on the new Frontier Trailer Music sound design album “Clockers”. Super excited about this release!
1st February 2019
You can hear my tracks “Pendulum”, “Time to Run” and “Evacuation Imminent” on the new Frontier Trailer Music sound design album “Clockers”. Super excited about this release!
2018: A YEAR REVIEW
30th December 2018
30th December 2018
I started writing production & trailer music semi-professionally about a year ago, so I thought it might be a good idea to wrap up the first year with an overview what has happened and what’s going on.
At the start of the year, a few of my tracks were released on Velvet Green Music’s albums “Secret Identity” and “Love Is In The Air”. These were my first individual music releases ever.
After joining forces with Timothy William and working on our trailer music for a few months, we got accepted into Frontier Trailer Music and have released four of our tracks on three albums, “Seismic Shift”, “Cyclone” and “Assault”.
We also established our own brand, ATA Music Production, which has since grown and more people have joined us and we have taken on new and very exciting projects. More news on this soon.
I have also signed with several other new publishers and contributed music to their catalogs and custom projects; Move Music, Score a Score and Music Factory, and more coming very soon. I am super excited to be working with all of these music labels. There will be more news on these, as well as other new ventures, as go into 2019.
In total, I have written 55 tracks this year for the industry, and they were put either into catalogs or used for custom pitches by the publishers.
Last but not least, I have moved and built a new home studio, upgraded my setup and added new equipment to it.
All in all, this year was the biggest year for me in terms of my music, and I cannot wait to see what 2019 has in store.
Happy New Year!
-Jure
At the start of the year, a few of my tracks were released on Velvet Green Music’s albums “Secret Identity” and “Love Is In The Air”. These were my first individual music releases ever.
After joining forces with Timothy William and working on our trailer music for a few months, we got accepted into Frontier Trailer Music and have released four of our tracks on three albums, “Seismic Shift”, “Cyclone” and “Assault”.
We also established our own brand, ATA Music Production, which has since grown and more people have joined us and we have taken on new and very exciting projects. More news on this soon.
I have also signed with several other new publishers and contributed music to their catalogs and custom projects; Move Music, Score a Score and Music Factory, and more coming very soon. I am super excited to be working with all of these music labels. There will be more news on these, as well as other new ventures, as go into 2019.
In total, I have written 55 tracks this year for the industry, and they were put either into catalogs or used for custom pitches by the publishers.
Last but not least, I have moved and built a new home studio, upgraded my setup and added new equipment to it.
All in all, this year was the biggest year for me in terms of my music, and I cannot wait to see what 2019 has in store.
Happy New Year!
-Jure
ALBUM RELEASE - "A MUSIC FACTORY CHRISTMAS"
Friday, 14th December 2018
Very happy to have contributed three tracks to the new album "A Music Factory Christmas", published by Music Factory. Check them out below!
Friday, 14th December 2018
Very happy to have contributed three tracks to the new album "A Music Factory Christmas", published by Music Factory. Check them out below!
NEW ALBUM RELEASE - "DRAMATIC TENSION VOL. 12 - METHADONE CLINIC"
Sunday, 2nd December 2018
Glad to have contributed the track no. 1 on the new album "Methadone Clinic" called "Replacement Therapy", published by Velvet Green Music. Check it out below!
Sunday, 2nd December 2018
Glad to have contributed the track no. 1 on the new album "Methadone Clinic" called "Replacement Therapy", published by Velvet Green Music. Check it out below!
NEW ALBUM RELEASE - "GLASS ARPEGGIOS" ON MUSIC FACTORY
Thursday, 23rd August 2018
A new release with relaxed synth tracks is now out! Find my tracks "Tranquil Dance", "Lingering" and "Wisp" on the new Music Factory album “GLASS ARPEGGIOS”
Thursday, 23rd August 2018
A new release with relaxed synth tracks is now out! Find my tracks "Tranquil Dance", "Lingering" and "Wisp" on the new Music Factory album “GLASS ARPEGGIOS”
SAMPLE LIBRARY FIRST LOOK - ORCHESTRAL TOOLS BERLIN ORCHESTRA INSPIRE 2
Wednesday, 15th August 2018
No talking, just playing - I went through and played all the patches in the new orchestral library Berlin Orchestra Inspire 2 by Orchestral Tools. All music is improvised, there are no prerecorded parts. Watch it below!
Wednesday, 15th August 2018
No talking, just playing - I went through and played all the patches in the new orchestral library Berlin Orchestra Inspire 2 by Orchestral Tools. All music is improvised, there are no prerecorded parts. Watch it below!
SAMPLE LIBRARY REVIEW - SPITFIRE CHAMBER STRINGS PROFESSIONAL
Thursday, 9th August 2018
I made a review of the Chamber Strings Professional sample library by Spitfire Audio for Global Composers Network by composing a track using only this library. Check it out below!
Thursday, 9th August 2018
I made a review of the Chamber Strings Professional sample library by Spitfire Audio for Global Composers Network by composing a track using only this library. Check it out below!
NEW ALBUM RELEASE - "PERFIDIOUS" ON MUSIC FACTORY
Sunday, 5th August 2018
Nothing soft or happy! I contributed most of the tracks to the newest Music Factory release “PERFIDIOUS”. The album is now available for licensing, check it out below!
Sunday, 5th August 2018
Nothing soft or happy! I contributed most of the tracks to the newest Music Factory release “PERFIDIOUS”. The album is now available for licensing, check it out below!
NEW ALBUM RELEASE - "EMPOWERING" ON MUSIC FACTORY
Wednesday, 20th June 2018
I have contributed three tracks to the uplifting album "Empowering", released on Music Factory. Have a listen to my tracks "Almost There", "Sentiment" and "Finding Peace" below!
Wednesday, 20th June 2018
I have contributed three tracks to the uplifting album "Empowering", released on Music Factory. Have a listen to my tracks "Almost There", "Sentiment" and "Finding Peace" below!
NEW ALBUM RELEASE - "CONCIERGE" ON MUSIC FACTORY
Wednesday, 20th June 2018
I have contributed two tracks to the quirky release "Concierge", released on Music Factory. Have a listen to my tracks "Vanished Valet" and "Pass the Bubbly" below!
Wednesday, 20th June 2018
I have contributed two tracks to the quirky release "Concierge", released on Music Factory. Have a listen to my tracks "Vanished Valet" and "Pass the Bubbly" below!
